First-round bids for the debt-ridden MGM studio were due Friday afternoon, but most of the bids are expected to trickle in through the weekend, sources familiar with the matter said.
It was unclear if any bids had come in as of late Friday, and two of the sources said bids could come in as late as Tuesday. Sources said the deadline was considered to be a soft one.
MGM is in the process of receiving indications of interest from potential bidders, an MGM spokesman said. Once the company has completed reviewing the initial bids, it will begin the second phase of its strategic review process.
A dozen companies signed MGM's confidentiality agreements to take a look at the business, but not all of them will necessarily end up bidding for it, sources have said.
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First-round offers are expected to come in between $1.5 billion and $2 billion, another of the sources said, well below the $3.7 billion in debt the studio owes.
Private equity firms also signed nondisclosure agreements, two of the sources said. Those firms could be allowed to team up with media companies and make joint bids for the studio in later rounds, one of the sources said.
MGM owns about 4,000 film titles and the popular James Bond and Pink Panther franchises.
The first-round bids are nonbinding -- meaning that bidders are not legally bound to follow up on their offer -- and are expected to help MGM assess the level of interest among potential buyers, the sources said.
MGM is owned by a group including private equity firms TPG
It faces debt obligations stemming from its 2005 buyout by this group, plus payments on a $250 million revolving credit facility due in April.
MGM's lenders have extended a debt forbearance until January 31, which exempts it from interest payments of an undisclosed amount as it tries to develop a long-term turnaround plan.
If the bids come in too low, MGM's creditors could decide to keep the company and restructure it, possibly filing for a prepackaged Chapter 11 bankruptcy protection, some of the sources said.
(Additional reporting by Megan Davies; Editing by Marguerita Choy)