By | February 13 2013 5:20 PM

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Grab the Bull By the Horns
Photo: Eli Klein Fine Art/ ekfineart.com

Grab the Bull By the Horns

Liu Bolin blends into famous Wall Street bull statue. Taken in New York City's Financial District, 2011.
Toy Story
Photo: Eli Klein Fine Art/ ekfineart.com

Toy Story

Liu Bolin hiding in a toy store in New York. Taken in 2012.
Poster Boy
Photo: Eli Klein Fine Art/ ekfineart.com

Poster Boy

Liu hides among a Chinese construction propaganda poster, 2011.
Temple of Heaven
Photo: Eli Klein Fine Art/ ekfineart.com

Temple of Heaven

Blending into Beijing's Temple of Heaven in 2010.
One With Nature
Photo: Eli Klein Fine Art/ ekfineart.com

One With Nature

Hidden among tall trees in China, 2010.
Grocery Store
Photo: Eli Klein Fine Art/ ekfineart.com

Grocery Store

Blending in with the produce at a Chinese grocery store, 2011.
Dead End
Photo: Eli Klein Fine Art/ ekfineart.com

Dead End

Liu is painted into the stripes of a Chinese road block, 2007.
Under Construction
Photo: Eli Klein Fine Art/ ekfineart.com

Under Construction

Liu becomes invisible standing alongside a bulldozer in China, 2008.
Along the Canal
Photo: Eli Klein Fine Art/ ekfineart.com

Along the Canal

In 2010, Liu stands in front of the Rialto Bridge in Venice, Italy.
Yellow River
Photo: Eli Klein Fine Art/ ekfineart.com

Yellow River

Liu wades in the murky waters of the Yellow River in 2011.

Liu Bolin is a Chinese artist who has made a name for himself with his “Hiding in the City” photo series. Liu and his team of artists paint his body in a chameleon-like fashion, allowing him to blend into various backgrounds and becoming seemingly invisible.

In an interview with Crane TV, Liu explains how he first got the idea of becoming invisible when the government took away his creative space.

“I began shooting this series in November of 2005. I was working in the artist village Suo Jin Cun. I had a studio there torn down by the government. At the time I wanted to protest. … It was like being hit and hitting back. [So] I made myself disappear.”

Liu’s work has him blending into Chinese monuments like the Temple of Heaven or the Great Wall, to everyday scenes like a grocery store, or hidden within the nation’s city streets.

Most of the series’ photos take place in China; he is often pictured in front of scenes of different stages of China's development, profoundly remarking on the changes he is seeing.

“More are focused on China and concerns that arise from its development,” Liu said in the interview.

After seeing success with his work in China, Liu has taken his chameleon skills internationally. He can be seen (or not seen) in London, Venice and New York.

“You’re not constantly allowing your surroundings to swallow you up. In history we’re just a dot. How did you make your mark?”

Below is a video of how one of his photos comes together:

The rest of Liu's work can be viewed here.