Anti-Copyright Law demonstration
People hold placards during a demonstration under the slogan 'Save The Internet' against the planned overhaul of European Union's online copyright law in Berlin, March 23, 2019. ODD ANDERSEN/AFP/Getty Images

On March 26, the EU passed the controversial Article 17 of the Copyright Directive to standardize certain key components of copyright law among member nations. The amendment puts the onus on platforms like YouTube and Facebook to make certain that all of the content uploaded to their sites is copyright compliant - a responsibility that was previously held by content creators. This directive was initially voted on in 2006, but with illegitimate content sharing on the rise and the rules of Article 17 now final (awaiting implementation) the jury is still out on whether or not it presents the best possible approach to protecting against pirates and infringers - for platforms or content creators.

While Article 17 is designed to funnel money away from content-sharing platforms like YouTube and Facebook, and redistribute it into the pockets of content creators, one concern is that it is doing so by increasing the costs of conducting business for platforms - at the expense of smaller players. With an average of 300 hours of video uploaded to YouTube every minute, policing copyright infringements is a gigantic task even for industry giants. This will put pressure on platforms to develop automated filters (to avoid sanctions) to deal with the sheer amount of content that will need to be sifted through. Still, automated filters aren’t exactly discerning, and they won’t be able to consider all the nuances of intellectual property law, which does allow for copyrighted materials to be used for parody, news, and when a work is transformative, for example. Over time, this could raise concerns around users’ freedom of expression and even stifle creativity as a result.

Meanwhile, smaller media sites, despite their limited resources, will still be held to the same standards as leaders like YouTube and Facebook, and accountable for obtaining licensing agreements with each copyright holder. So these smaller companies could be hung out to dry, if it isn’t realistically and financially viable for them to operate without such policing measures, leaving few other smaller, independent alternative platforms.

At the heart of this amendment is the desire to empower content creators such as musicians and journalists. While this is a noble cause and long overdue initiative, solely putting the burden of copyright compliance on the platforms only scratches the surface of the problem. Ultimately, when potentially infringing content gets blocked by a platform, the burden will still fall on right holders to review it and decide whether or not it needs to be taken down or monetize upon, for instance. However, manually reviewing every single case will eventually take precious time away from content owners instead of empowering them to take control over their content.

With two years left for the Copyright Directive to be implemented at a national level in Europe, it will be interesting to see the wider impact the directive will have abroad. With the connection forged by the online world increasingly blurring borders, and based off of previous experience with the passing of GDPR, there is no doubt that other countries like the United States will take notice of these regulatory changes. In the U.S., copyright infringement and piracy remains just as rampant (if not even more so) than in the EU.

Therefore, as Article 17 picks up steam and the deadline for implementation creeps up, the U.S. is more than likely to follow suit and enact its own similar types of regulations to try and provide a clear solution to eliminate copyright compliance issues. The question will be exactly how they will choose to approach it - mimic the EU’s approach, or learn from its shortcomings and put forth a more holistic and unified approach that unites all of the parties involved in content sharing.

Laura Urquizu is partner and CEO of Red Points, a Barcelona-based company offering an all-in-one SaaS solution for detecting and enforcing online IP infringements, including online
counterfeiting, piracy and distribution fraud.